“How many of you in the room have a Flickr account?” asked my colleague Caroline during her lecture on photo sharing in Journalism Technologies this week. Not a hand went up, other than ours. An indication of how selfies, filters and apps have taken over this space, since the days a decade ago when putting pictures on the internet meant looking at those familiar blue-and-pink dots.
The stories of Flickr, Tumblr and Instagram took up much of Caroline’s lecture. The key concept she introduced was that of mass amateurisation, memorably applied to the social web by Clay Shirky. Because reading lists don’t always have to feature readings, we made his 2005 TED talk on the subject required viewing this week. The workshop featured a bit on how to take your own smartphone photos and embed them, before some guidance on searching Google Images and, yes, Flickr, for Creative Commons images.
Getting journalism students to keep their heads up and look out for interesting things in the world around them is a perennial challenge. When you’re a journalist, all sorts of things can seem like potential stories – from the planning sign pinned to a lamppost, to all those posters on the community noticeboard. The next homework task is to get them to take just such a picture while walking around Huddersfield, do a bit more research into the story, then write it along with the embedded image in their blogs. I’m looking forward to seeing what they all find.
I’m sure it won’t be the last thing I write for them. The Conversation, which gets academics to write stuff about their areas of interest, is a start-up I’ve admired for a long time. There’s usually something good on there to read, and besides, getting lecturers to publish outside the opaque world of academic journals is the sort of thing I generally approve of.
I gave a short talk last night at a Huddersfield Teachmeet event, hosted by Huddersfield New College. Given seven minutes I thought I’d do a PechaKucha, and it’s embedded above. It’s on the topic of using social media in the classroom, and was a brief overview of ways to potentially use tools including Instagram Video, Buzzfeed and Findery.
I was at Journalism.co.uk’s latest News Rewired conference in London last Thursday. As is often the case at these events, I learned a new word. This time it was ‘dronalism’ which I heard casually bandied around during a session on drones for news, as if it was an entirely normal thing to say.
Peter Bale from CNN demonstrated the above video of the wreck of the Costa Concordia, which they broadcast after buying it from Team BlackSheep. As cool as it undoubtedly is, I thought Bale was pleasingly candid when he said that drones would be all the rage in TV newsrooms for a while, but that things would die down when editors got tired of them and realised they only really add a dimension to certain stories.
Mobile in general was the key theme of much of the day, and several speakers mentioned the new benchmark being reported across leading news websites including BBC News – that visits from mobiles and tablets taken together have now overtaken those from desktops and laptops.
Matt Danzico of the BBC, and one of the brains behind its new Instafax service on Instagram, said it would be the template for Auntie’s offerings on all social media away from Facebook and Twitter. He pointed out that putting text on a short-form video is often a better solution for mobile than the traditional TV package mixture of clips and a voice over, because people like to watch these things in public and don’t want to send sound booming across the bus queue.
Amid all the well-received show-and-tells, the only real note of tension came whenever the issue of online copyright came up. The keynote speech from BuzzFeed’s ‘cat guy’ Jack Shepherd was smooth and mostly went down very well, the gif-based fun only draining away a touch when someone asked about whether they had the proper permissions for every single one of those images.
The same went for Hannah Waldram’s similarly enjoyable presentation on Instagram. Persistent questions from one freelancer about the company’s treatment of the metadata of the images uploaded to its app turned the mood in the room a bit sour. Waldram said that it was still an emerging debate, and someone called out: “Yes, and you’re right in the middle of it!” Only idiots go to media conferences and make predictions, so here’s mine: this is one talking point we’re going to be discussing a lot more.
I was in Leeds yesterday, leading a practical session for some BTEC media and journalism students at the City College. I thought I’d give them an insight into something new they could expect to learn more about during any future university course they might do, so put together a one-hour workshop on smartphone video, using Instagram Video.
It’s too early to say whether others will seek to copy Instafax, but with 130 million active monthly users, Instagram appears to be too popular for media companies to ignore.
In yesterday’s session, after rattling through some of these points and explaining why smartphone video is another important piece of kit in the toolbox of the modern journalist, I gave the students ten minutes to make their own short clips on anything topical they liked.
I’d hoped to send them outside, but I turned out to be giving the session on the 11th floor, so I just got them to see what they could find in the corridors. One made one on the lift which wasn’t working, which seemed like a newsworthy enough story to me having walked up 11 flights of stairs! Getting the students to save the clips on a particular hashtag meant I could use one of the many Instagram desktop viewers to take the group through some of their work and give a bit of feedback.
I delivered my latest media law lecture to the journalism and media first years at the University of Huddersfield this morning. It was on copyright law, with a particular focus on the law as it applies to social media.
It’s a bit of a challenge making copyright law interesting enough to sustain the attention of several dozen students in a large lecture hall for close to an hour. But I did my best, using clips and examples ranging from the IT Crowd, the recent plagiarism row involving Carly Fallon and the Press and Journal, the familiar story of Peter Pan and Great Ormond Street Hospital, as well as who exactly owns what on Twitter, Facebook, Instagram, Wikipedia, Flickr and all the rest.