The Return of Tom Mason’s Handles

Just before last night's performance.

Just before last night’s performance.

I was at the University of Salford’s Robert Powell Theatre last night for the latest performance of Handles, a play about the impact of social media on our lives from Tom Mason. This is the second play of its kind by Tom, and after the original Handles made its debut at The Lowry last year, this was a bigger, longer and more ambitious effort altogether.

The story took place in a near-future world in which a new social network called Handles has come to dominate the lives of a group of connected twentysomethings, all glued to their phones in an attempt to become the UK’s first “platinum user” of the service. Trolling, sex assault rumours, hacked celebrity nude pictures, scurrilous showbiz journalists and the ethics of reviewing products on vlogs were among the themes, while the whole play kicked off with a spoof Steve Jobs-style keynote address, reminiscent of a similar scene in Grand Theft Auto V (only without the explosive conclusion).

As before, the audience was encouraged to tweet along, with tweets appearing on a wall behind the performers. Evidently, I was doing something right.

This territory is quite reminiscent of both Charlie Brooker’s acclaimed Channel 4 series Black Mirror, and the various allegations made about the widely-rumoured VIP paedophile ring of the 1980s. The play’s theme of the damage done to an individual’s good name by claims of sexual assault seemed particularly timely in the week that former Home Secretary Leon Brittan died, his reputation shattered by as-yet-unsubstantiated claims of his knowledge or involvement in historic abuse.

Warm congratulations to Tom and the team behind Handles for another enjoyable show. I’m already looking forward to a part three.

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