Scanning the Getty Images archive, and sticking an appropriate image into Photoshop for a quick bit of tinkering before publication, is as much a part of the online journalist’s toolkit as calling the police press office or doing the tea run.
Or at least it is if you’re working for a professional publisher paying for a proper licence to access Getty, the world’s best known photo agency. But bloggers and social media users have instead faced a choice: nick something that’s not yours and hope you don’t get a legal letter, or try to find a copyright-free image. Flickr Creative Commons has 300 million of these, so there are options, but it’s relatively rare to find much freely available on either current or archive news and sport events.
Until now. Getty has taken the decision to make 35 million images from its library embeddable in blogs like this one, which is why I’m able to put a picture from tonight’s demonstration in Sevastopol at the top of this post. I don’t pay anything: but I have to use Getty’s embed code, which at least ensures a credit if no money for both it and the photographer. I also had to tinker slightly with the image sizes within the code to make it fit nicely, but this only took a few seconds.
Click on a picture in the Getty library and this is what you see. I’ve highlighted the Twitter, Tumblr and embed code links below the image.
All very nice, then. But you might ask why Getty is doing this. A fair summary of the reaction from people far more knowledgeable about photography than me would be that it’s simply realised it just can’t prevent its images being stolen and shared. So it may as well let us do it for nothing in the hope that it can develop some revenue-raising tools around that freely-available content, like YouTube does.
Commercial publishers are still going to have to pay for a proper licence, so Getty will hope its bottom line won’t be affected, but photographers, relying on Getty for cash from those licensing deals, may well wonder where this will end. There’s a blogpost from the British Journal of Photography here, and more reaction from Business Week and the BBC.
There’s more about exactly how it all works on the Getty website here.
And just because I can, here’s a picture from the Getty archive of the last time Crimea was the focus of the world’s attention; Churchill, Roosevelt and Stalin at the Yalta Conference of February 1945.
Posted in Articles
Tagged BBC, British Journal of Photography, Business Week, Copyright, Crimea, Flickr, Franklin Roosevelt, Getty Images, Joseph Stalin, Media Law, Sevastopol, Ukraine, Winston Churchill, Yalta, YouTube
I was at Journalism.co.uk’s latest News Rewired conference in London last Thursday. As is often the case at these events, I learned a new word. This time it was ‘dronalism’ which I heard casually bandied around during a session on drones for news, as if it was an entirely normal thing to say.
Peter Bale from CNN demonstrated the above video of the wreck of the Costa Concordia, which they broadcast after buying it from Team BlackSheep. As cool as it undoubtedly is, I thought Bale was pleasingly candid when he said that drones would be all the rage in TV newsrooms for a while, but that things would die down when editors got tired of them and realised they only really add a dimension to certain stories.
Mobile in general was the key theme of much of the day, and several speakers mentioned the new benchmark being reported across leading news websites including BBC News – that visits from mobiles and tablets taken together have now overtaken those from desktops and laptops.
Matt Danzico of the BBC, and one of the brains behind its new Instafax service on Instagram, said it would be the template for Auntie’s offerings on all social media away from Facebook and Twitter. He pointed out that putting text on a short-form video is often a better solution for mobile than the traditional TV package mixture of clips and a voice over, because people like to watch these things in public and don’t want to send sound booming across the bus queue.
Amid all the well-received show-and-tells, the only real note of tension came whenever the issue of online copyright came up. The keynote speech from BuzzFeed’s ‘cat guy’ Jack Shepherd was smooth and mostly went down very well, the gif-based fun only draining away a touch when someone asked about whether they had the proper permissions for every single one of those images.
The same went for Hannah Waldram’s similarly enjoyable presentation on Instagram. Persistent questions from one freelancer about the company’s treatment of the metadata of the images uploaded to its app turned the mood in the room a bit sour. Waldram said that it was still an emerging debate, and someone called out: “Yes, and you’re right in the middle of it!” Only idiots go to media conferences and make predictions, so here’s mine: this is one talking point we’re going to be discussing a lot more.
There’s more information about News Rewired at its website.
Posted in Articles
Tagged BBC, Buzzfeed, CNN, Dronalism, Drones, Hannah Waldram, Instafax, Instagram, Jack Shepherd, Journalism.co.uk, Matt Danzico, News Rewired, Peter Bale, Team Blacksheep
The new Instafax service from BBC News.
I was in Leeds yesterday, leading a practical session for some BTEC media and journalism students at the City College. I thought I’d give them an insight into something new they could expect to learn more about during any future university course they might do, so put together a one-hour workshop on smartphone video, using Instagram Video.
Launched last summer, Instagram’s video function allows users to stop-and-start their way to little 15 second clips that be easily shared. Its rival, Twitter’s Vine, lets you make six second videos which loop. This last point seems to give Vine the edge for creativity, but BBC News recently began experimenting with Instagram Video for a service it calls Instafax. They’re little mini-bulletins featuring some still images, a bit of text and background music, currently sent out about three or four times a day.
It’s too early to say whether others will seek to copy Instafax, but with 130 million active monthly users, Instagram appears to be too popular for media companies to ignore.
In yesterday’s session, after rattling through some of these points and explaining why smartphone video is another important piece of kit in the toolbox of the modern journalist, I gave the students ten minutes to make their own short clips on anything topical they liked.
I’d hoped to send them outside, but I turned out to be giving the session on the 11th floor, so I just got them to see what they could find in the corridors. One made one on the lift which wasn’t working, which seemed like a newsworthy enough story to me having walked up 11 flights of stairs! Getting the students to save the clips on a particular hashtag meant I could use one of the many Instagram desktop viewers to take the group through some of their work and give a bit of feedback.
The presentation I gave is here.
The best, and admittedly only, book I’ve ever read about snooker.
Three of the books I’ve read lately are about sport’s relationship with the media, and in particular TV. All very good, the best of them might be Black Farce and Cue Ball Wizards, an account of snooker’s unlikely rise to national prominence and the years of internal strife that followed, written by veteran snooker journalist and commentator Clive Everton.
It’s highly readable and there are plenty of revelations, including how Everton himself blew the whistle on a match-fixing scandal that ended an early experiment with televised snooker on ITV. The book offers an interesting case study in the relationship between sport and TV, especially when that sport’s success is so inextricably linked to certain broadcasting contracts. Just how interesting you find the book as a whole probably depends on your personal threshold for reading anecdotes about Doug Mountjoy, but happily it turns out mine is surprisingly high.
ESPN has retreated from the British market for televised sport, but in the US it remains the self-proclaimed Worldwide Leader. A brilliant oral history of its rise from humble origins at the end of the 1970s is Those Guys Have All The Fun, by James Andrew Miller and Tom Shales. The book made headlines in America, particularly on Gawker Media’s sport spinoff blog Deadspin, for its claims about various incidents of sexist behaviour down the years at ESPN. The oral history format certainly seemed to help loosen a few tongues of those being interviewed.
Another book to recommend is Martin Kelner’s history of sport on British TV, Sit Down And Cheer. It’s as enjoyably written as Kelner’s columns on this topic, which for a long time appeared in the Guardian and are now in the Racing Post. There are plenty of memorable nuggets, including the detail that there was barely any pre or post-game coverage of the 1966 World Cup Final, and some magnificent passages taken from the autobiography of Frank Bough. Ask your parents.
Posted in What I'm Reading
Tagged Black Farce and Cue Ball Wizards, Clive Everton, Deadspin, ESPN, James Andrew Miller, Martin Kelner, Racing Post, Sit Down And Cheer, snooker, The Guardian, Those Guys Have All The Fun, Tom Shales
I spotted an interesting discussion on Twitter, which has stretched over several days since last week. It’s about the scope of BBC Sport’s online activities, and its impact on newspaper websites. The debate is mostly between Matt Slater of BBC Sport and Matt Scott, former sports reporter with the Guardian and Daily Telegraph, with some others chipping in.
There were some interesting points made on both sides, so I thought I’d collect the tweets together in a Storify. It was slightly tricky because there were various threads to the debate going on at the same time, but I think I’ve more or less managed to get things into a coherent order.
Here’s my latest media law lecture, delivered to the first years at the University of Huddersfield today. It’s on privacy law, including the emerging case law from Max Mosley and others, breach of confidence and injunctions. There are also some extra bits on how to avoid unnecessary intrusion into people’s lives as well as Freedom of Information, one of my favourite topics.
The full presentation is here.
Posted in Lectures
Tagged Anthony Weiner, breach of confidence, Catherine Zeta-Jones, Freedom of Information, Hello!, injunctions, JK Rowling, Lectures, Leveson Inquiry, Max Mosley, Michael Douglas, OK!, privacy law, Ryan Giggs, Sara Cox
I delivered my latest media law lecture to the journalism and media first years at the University of Huddersfield this morning. It was on copyright law, with a particular focus on the law as it applies to social media.
It’s a bit of a challenge making copyright law interesting enough to sustain the attention of several dozen students in a large lecture hall for close to an hour. But I did my best, using clips and examples ranging from the IT Crowd, the recent plagiarism row involving Carly Fallon and the Press and Journal, the familiar story of Peter Pan and Great Ormond Street Hospital, as well as who exactly owns what on Twitter, Facebook, Instagram, Wikipedia, Flickr and all the rest.
The full presentation is here.
Posted in Lectures
Tagged BBC, Copyright, Creative Commons, Facebook, Fair dealing, Flickr, Great Ormond Street Hospital, Instagram, Lectures, Media Law, Peter Pan, Press and Journal, Sky Sports, The IT Crowd, Twitter, University of Huddersfield, Wikipedia
I’m teaching some first year classes on public relations this semester, and as part of the course I gave a lecture last week on the role of social media in PR.
I decided to make the retail battle for Christmas the central theme of it, which naturally meant showing the John Lewis bear and hare advert. It’s up to ten million views on YouTube now, ten times what Marks and Spencer’s similarly big-budget offering has managed, and 100 times more than the effort by Debenhams.
Not that YouTube views necessarily translate into cash in the till. But in just a few years of these adverts, John Lewis has apparently managed to supplant Coca-Cola as the big brand that ‘says’ Christmas. That’s except for viewers in Scotland, who still seem to love Irn Bru’s version of the Snowman best of all.
Here’s the full Prezi presentation.
I had one hour today to introduce a lecture hall of nearly 200 first year students from various courses to how the internet has affected journalism. Admittedly, it was just an introduction, but even so it was pretty hard to condense it into a single lecture. I did my best.
At one stage I brought up the recent purchase of the Washington Post by Jeff Bezos for the relatively small sum of £160m, and pointed out that was roughly what Johnston Press paid for the rather less grand Scotsman just eight years ago. Showing a picture of Woodward and Bernstein, I started to say that they would probably be turning in their graves at the low valuation of their famous old paper, then realised they’re both still alive. Change really has come quickly to the news business.
Here’s the full presentation.
The BuzzFeed Community dashboard.
We’ve had a group of A-level students from Sheffield College at the University of Huddersfield today, having a Focus Day in the Journalism and Media department. They’ve each taken part in a series of hour-long workshops on different aspects of our teaching, and I led the sessions on social media.
Thinking about how best to tackle this in such a short time, I decided to get each group to contribute to a single Buzzfeed list. Partly because it avoids the hassle of having to get everyone set up on the same social network at the start of each workshop (almost everyone was on Twitter and Facebook, but one or two said they’d left for various reasons), and partly because I thought teaching the students about how to comb YouTube and Flickr Creative Commons for material might be a useful skill they’d take away with them. And besides, I reckoned they’d all have at least seen Buzzfeed, so would quite enjoy it.
There were four groups, and here are the four lists they made. I told them to promote their own on social media over the coming week, to see which ends up with the most views (access to these analytics being one of the advantages of Buzzfeed’s Community feature, another being its dead easy CMS).
8 Things We Hate About Sheffield
8 Signs You Grew Up In Sheffield
What Not To Do In Sheffield
8 Best Bands In Sheffield History
Here’s the Prezi I used to run the sessions. After a bit of a preamble about the changing media, I introduced them to Buzzfeed (most had seen the lists before through social media shares, often without realising the website itself was called Buzzfeed), got them to pick a topic and gave a brief overview of searching on YouTube and Flickr. Then after they’d found something each, I put the list together on the board with input from everyone. It seemed to go pretty well, and as an activity it fitted into an hour quite nicely.
“Is this what you actually do in lessons?” someone asked. Well, not all the time.